<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Wed, 08 Feb 2012 02:25:12 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Adrien Bisson Photography Blog</title><link>http://www.adrienbisson.com/blog/</link><description></description><lastBuildDate>Tue, 31 Jan 2012 15:20:03 +0000</lastBuildDate><copyright>Copyright © 2010, Adrien Bisson. All rights reserved.</copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><itunes:author>Adrien Bisson</itunes:author><itunes:subtitle>Adrien Bisson Photography Blog</itunes:subtitle><itunes:keywords>photography,headshot,portrait,editorial,people</itunes:keywords><itunes:owner><itunes:name>Adrien Bisson Photography</itunes:name><itunes:email>adrien@adrienbisson.com</itunes:email></itunes:owner><itunes:image href="http://www.adrienbisson.com"/><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><item><title>Sustainable Farming in the Merrimack Valley - Matthew Himmel Interview</title><category>Business</category><category>Dracut</category><category>Food</category><category>Lowell</category><category>Massachusetts</category><category>NESFP</category><category>New Entry Sustainable Farming Project</category><category>Non-profit</category><category>People</category><category>business</category><category>editorial portrait</category><category>farming</category><category>people photography</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Tue, 31 Jan 2012 14:48:02 +0000</pubDate><link>http://www.adrienbisson.com/blog/2012/1/31/sustainable-farming-in-the-merrimack-valley-matthew-himmel-i.html</link><guid isPermaLink="false">230690:2292218:14806507</guid><description><![CDATA[<p>In today's blog, I have the distinct pleasure of presenting an interview with Matthew Himmel, the Marketing Manager of World PEAS Cooperative at the New Entry Sustainable Farm Project, here in the Merrimack Valley. The New Entry Sustainable Farm Project's (<a title="New Entry Sustainable Farming Project" href="http://www.nesfp.org" target="_blank">http://www.nesfp.org</a>/) mission is to assist people with limited resources who have an interest in small-scale commercial agriculture, to begin farming in Massachusetts. <a title="World PEAS" href="http://www.worldpeascsa.org/" target="_blank"><span>World PEAS ("People Enhancing Agricultural Sustainability")</span><span> Marketing Cooperative</span></a> primarily sells directly to consumers through a <a href="http://www.worldpeascsa.org" target="_blank">Community Supported Agriculture Program (CSA)</a>, with additional sales to institutional food services/restaurants, and at farmers&rsquo; markets (in partnership with the <a title="UTEC" href="http://www.utec-lowell.org/" target="_blank">United Teen Equality Center</a>).<br /><br />Complicated, I know! That is also why I decided to interview Matthew and get the real scoop, right from the source. So let's get started!<span style="text-decoration: underline;"><strong><br /></strong></span></p>
<h4><span style="text-decoration: underline;"><strong>Matthew Himmel Interview </strong></span><span class="full-image-float-right ssNonEditable"><span><a href="http://www.worldpeascsa.org/" target="_blank"><img src="http://www.adrienbisson.com/storage/07-oct-10-matthew-himmel-099.jpg?__SQUARESPACE_CACHEVERSION=1328021392409" alt="" /></a></span><span class="thumbnail-caption" style="width: 300px;">Matthew Himmel</span></span></h4>
<p><strong>* You studied biology and environmental studies at Hamilton College. Are you originally from that area of New York, and did you have interests in farming and local agriculture before going to college?</strong><br /><br />No, I am actually from around here; I grew up in Lexington.&nbsp; When I was growing up we had a vegetable garden, compost pile and great backyard, so I spent a bit of time outdoors, tinkering in the garden. By the time I graduated from High School I was already very interested in agriculture, and took a year off to travel and work on farms in Central America and Europe.&nbsp; I became confident that I wanted to work in agriculture, but not exactly sure how.&nbsp; I studied biology and geology at Hamilton, studied Permaculture in the summers, worked on research at Cornell in Crop and Soil Sciences and Horticulture, and ultimately found a niche that I love, helping farmers access markets and resources they need to succeed.&nbsp; After trying a few different things out, I have concluded that market-base strategies are essential to creating the healthy, equitable, and sustainable food systems we all want.<br /><em><br /></em><strong>* Did you or your family have a background in farming when you were growing up?</strong><br /><br />My mother emigrated from a small town in Romania, where everyone was subsistence farmers.&nbsp; While I had a very different upbringing, this heritage has influenced me.&nbsp; I still love hearing the stories from my grandmother about how they made sauerkraut to save for the winter, started seedlings in the warmth of a composting manure pile and so forth.<br /><br />My dad is from New Jersey.&nbsp; He&rsquo;s definitely had an influence on me too, but less directly in farming.&nbsp; I think I get my systems thinking from him.&nbsp; He uses Excel spreadsheets to do just about everything.&nbsp; Learning Excel from him, has been enormously helpful coordinating farmers for World PEAS.<br /><br /><strong>* What are the goals of World PEAS, NESFP and of the Lowell CSA, and how do they work together?<br /></strong><br />NESFP is strengthening our local food system by training new farmers (either new to farming or new to the U.S.) and helping them access the resources they need to successfully establish farm businesses.&nbsp; Helping farmers access markets is critical, since the financial viability of farms is essential to their continued existence.&nbsp; While we encourage farmers to have diverse marketing venues, including farmers&rsquo; markets, restaurant accounts, etc., we also coordinate cooperative marketing through the World PEAS Cooperative. &nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/29-jul-10-nesfp-meeting-018.jpg?__SQUARESPACE_CACHEVERSION=1328021455942" alt="" /></span></span>World PEAS helps small farmers connect with local consumers, by coordinating the production of farmers, each of whom may only be growing six crops, to offer customers a diverse bounty of over 70 local fruits and vegetables.&nbsp; The cooperative also packs and delivers produce from all of the cooperative farmers, which is much more efficient than each farmer spending time and fuel making their own deliveries.&nbsp; Consumers also benefit, because they are able to have just-picked freshness, and support small farmers in their community, without having to drive out to each of the farms, and with the convenience of online payment, and a free weekly newsletter with recipes.<br /><br /><br /><strong>* Is the main objective of NESFP to train farmers, or is it to provide resources for them to get started? Or are some of the farmers very experienced?<br /></strong><br />New Entry works with farmers with varying levels of experience and resource needs.&nbsp; Many of the immigrant and refugee farmers we work with have decades of experience farming in their homeland, but are less familiar with the local climate and markets, and may also need help accessing land and other key resources.&nbsp; Others come to the program with very little or no farming experience. &nbsp;<br /><br />We have recently seen a rise in the number of American-born applicants looking to get into farming for the first time.&nbsp; They may need more help with production skills and land access, but are often more familiar with trends in the local market, through their observations at farmers&rsquo; markets, supermarkets, etc. &nbsp;</p>
<p><span class="full-image-float-right ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/01-jul-10-heidi-bruce-019.jpg?__SQUARESPACE_CACHEVERSION=1328021492158" alt="" /></span></span>We also work with farmers who have some experience farming in the U.S.&nbsp; Some a single Field Training to learn about a single production topic, such as organic pest management, others may wish to re-vise and formalize their business plan through our Farm Business Planning Course.&nbsp; Others come to New Entry for our Farmland Matching Service, so they can find available land to farm.<br /><br /><strong>* How many share holders did the CSA have this past summer, and how did it compare to previous years?<br /></strong><br />Last year, the World PEAS Community Supported Agriculture (aka CSA or farm share) program, which is our largest market, provided weekly boxes of fresh produce to 425 households throughout the greater Lowell and Boston areas.<br /><br />The CSA and World PEAS in general have been growing rapidly over the past couple of years.&nbsp; When I started in 2008 we had 100 shares.&nbsp; We&rsquo;ve been adding about 100 every year since, as well as additional markets.<br /><br /><strong>* Is the CSA self-sustaining? Do the farmers all make a profit?<br /></strong><br />As of 2010, the World PEAS Cooperative achieved financial solvency.&nbsp; We are really proud of this achievement, and feel that our success demonstrates the efficacy of this model to other farmer groups and organizations.<br /><br />We cover our costs by charging a commission on sales, a little over 20%.&nbsp; This still leaves farmers with much higher prices than they would receive through most other markets, because it is a pretty direct and efficient value chain.&nbsp; Unlike traditional channels, produce doesn&rsquo;t change hands several times, and there are no expensive warehouses and supermarkets to maintain and power.&nbsp; Farmers can still get better prices selling directly to customers at Farmers&rsquo; Markets, and many do.&nbsp; But many of the farmers in the program have other jobs, don&rsquo;t speak English very efficiently, or have volume that are too small to justify going to a market on their own.&nbsp; World PEAS provides another market.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/07-oct-10-matthew-himmel-003.jpg?__SQUARESPACE_CACHEVERSION=1328021556890" alt="" /></span></span>Whether farmers&rsquo; make a profit is dependent on how well they manage their farm.&nbsp; There are a lot of expenses, including seeds, land rental, water, fertilizers, organic pesticides, tractor rental, gas, etc.&nbsp; Farmers need to plan their production to make the most efficient use of these resources, and make sure they can sell what they grow.&nbsp; Often times farmers in the program break even their first season, and increase their profits in subsequent years.<br /><br /><strong>* Is the land generally lent or leased, and to NESFP or to the individual farmers?<br /></strong><br />New Entry manages a three incubator farm sites in Dracut where farmers can rent land and equipment.&nbsp; We have various arrangements in each case.&nbsp; Our Farmland Matching Service typically helps arrange direct leases with farmers.</p>
<p><span class="full-image-float-right ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/06-aug-10-justine-011.jpg?__SQUARESPACE_CACHEVERSION=1328021596574" alt="" /></span></span><strong>* Are there any long-range plans that any of the various organizations that you work with have in the works?<br /></strong><br />Having achieved many of the goals we set several years ago, we are in the midst of another round of strategic planning.&nbsp; Having built up a suite of successful programs New Entry is well poised to expand in a variety of directions.&nbsp; It will be exciting to see how things develop.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ++++++++++++++++</p>
<p>&nbsp;</p>
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<p style="padding-left: 60px;"><em><strong>Registration for the </strong></em><strong>World PEAS CSA</strong><em><strong> is now open.&nbsp; For more information, visit <a title="World PEAS CSA" href="http://www.worldpeascsa.org" target="_blank">http://www.worldpeascsa.org</a>/.<br /><br />If you have questions about World PEAS or for further information about the Training Program, please call the office at 978-654-6745. </strong></em><br /><br /></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-14806507.xml</wfw:commentRss></item><item><title>Photographers in the Hotseat - Creating a Headshot</title><category>People</category><category>head-shot</category><category>headshot</category><category>people photography</category><category>portrait</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Mon, 30 Jan 2012 03:23:20 +0000</pubDate><link>http://www.adrienbisson.com/blog/2012/1/29/photographers-in-the-hotseat-creating-a-headshot.html</link><guid isPermaLink="false">230690:2292218:14783695</guid><description><![CDATA[<p>Last week, my colleague and friend Kevin Harkins, of Harkins Photography in Londonderry, NH, suggested that we get together and refresh our headshots. I thought, what an awesome idea! So we met up at my studio in Kevin's hometown of Lowell and proceeded to watch each other work, first-hand. We were each in that seat that you all dread! It was incredibly interesting just to see how the other approached the lighting and compositions. What I was struck by was how we each produced photos that were distinctly different and still incredibly consistent with our own personal styles, even though we were shooting in the exact same setting.</p>
<p>Here are my favorite shots that I created of Kevin. Watch for Kevin's shots of me on his blog at: <a href="http://harkinsphoto.wordpress.com/" target="_blank">http://harkinsphoto.wordpress.com/</a><br /><br />...or just look at one of his masterpieces here on my site: <a href="http://www.adrienbisson.com/about/">http://www.adrienbisson.com/about/</a></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2012-01-16-kevin-harkins-059.jpg?__SQUARESPACE_CACHEVERSION=1327893926803" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2012-01-16-kevin-harkins-064.jpg?__SQUARESPACE_CACHEVERSION=1327894388521" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2012-01-16-kevin-harkins-123.jpg?__SQUARESPACE_CACHEVERSION=1327893966498" alt="" /></span><span class="thumbnail-caption" style="width: 432px;">Kevin Harkins</span></span></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-14783695.xml</wfw:commentRss></item><item><title>Professional Portraits vs. Happy Accidents - We're Making Photographs, not Taking Them</title><category>Art</category><category>Business</category><category>People</category><category>advertising</category><category>clients</category><category>editorial portrait</category><category>environmental portrait</category><category>headshot</category><category>portrait</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Wed, 11 Jan 2012 22:45:25 +0000</pubDate><link>http://www.adrienbisson.com/blog/2012/1/11/professional-portraits-vs-happy-accidents-were-making-photog.html</link><guid isPermaLink="false">230690:2292218:14542199</guid><description><![CDATA[<p>There's a term that applies to a certain type of photograph that you may be familiar with. The term is "happy accident". It's generally a pretty loaded term. It can be an insult directed at a photographer who may have created an image that is good, or even great, but the person wielding the phrase feels that the good image is an exception rather than the rule, based on that person's perception of the artist's work. It can also be used by a photographer to describe his or her own photograph, implying, not so subtly, that the image in question was acquired by luck, clean living, or some other reason not directly related to skill or artistry.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-09-28-mike-omalley-285.jpg?__SQUARESPACE_CACHEVERSION=1326321986893" alt="" /></span></span>Hobbyists tend to thrive on happy accidents. I don't mean this as a criticism! If photography is something that you love, just for the fun and satisfaction that it brings, there is nothing at all to be ashamed of! For professional photographers, happy accidents are things that you will certainly take if they make themselves available, but cannot be relied upon to pay the rent. Its a little like winning the lottery; I'll take it, but lottery winning is not a livelihood.<br /><span class="full-image-float-right ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/a-1.jpg?__SQUARESPACE_CACHEVERSION=1326322621341" alt="" /></span></span></p>
<p>As a professional portrait photographer, your goal is to 'create a photograph'. I really prefer that phrase to 'taking a photograph'. The difference is one of mindset. Am I showing up, putting up some lights so that the subject won't be in the dark and then snapping away, hoping for some kind of intervention? Not a chance! You need to walk into the studio or onto a location with a frame of mind totally focused on making a great photograph. You are creating a work of art, no matter how mundane or commercial the assignment might be. The location is sized up. A series of shot options is internalized, discussed with assistants and possibly the subject, any lighting that is necessary is set up, furniture is almost always moved(*). Then, photographs are made.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-08-12-richard-winter-003.jpg?__SQUARESPACE_CACHEVERSION=1326322220317" alt="" /></span></span></p>
<p>There are so many things to take in and consider when you are about to create photographs at a professional commercial level: how subjects or models will be portrayed, composition, lighting, style, props, distractions, etc.. You can't just walk in and start shooting, hoping for some happy accidents. You need a concept, and an ability to execute it. Once things are starting to fire on all cylinders in a given context, the shooting can commence in earnest. I make a lot of shots when I am creating portraits. But the activity is <span class="full-image-float-right ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-07-14-thomsonreuters-072.jpg?__SQUARESPACE_CACHEVERSION=1326322327405" alt="" /></span></span>directed and intentional. Often, when discussing an upcoming shoot, the subject may ask, "how long will it take, a few minutes?". Um...no. It's important to explain to the subject that this takes preparation, must look great, both for the client and the subject, and while accidents happen, both happy and otherwise, we are making photographs. Really good photographs. Which is my job.<br /><br /></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-14542199.xml</wfw:commentRss></item><item><title>Download My January 2012 PDF Newsletter Today!</title><category>2012</category><category>Boston</category><category>Lowell</category><category>Massachusetts</category><category>New Entry Sustainable Farming Project</category><category>art</category><category>changes</category><category>commercial</category><category>farming</category><category>locally-grown</category><category>newsletter</category><category>photography</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Thu, 29 Dec 2011 20:44:38 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/12/29/download-my-january-2012-pdf-newsletter-today.html</link><guid isPermaLink="false">230690:2292218:14372119</guid><description><![CDATA[<p>Download my January 2012 pdf newsletter! It's full of articles and images about the past year and thoughts about the coming year. Press the download button below for your FREE copy and enjoy!</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/newsletters/January-2011-promotional-image.jpg?__SQUARESPACE_CACHEVERSION=1325191661312" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://www.adrienbisson.com/storage/newsletters/January-2011.pdf" target="_blank"><img src="http://www.adrienbisson.com/storage/download-newsletter-now-button.png?__SQUARESPACE_CACHEVERSION=1325191802161" alt="" /></a></span></span></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-14372119.xml</wfw:commentRss></item><item><title>Just Some Photos that I Like!</title><category>Boston</category><category>Business</category><category>People</category><category>actor</category><category>advertising</category><category>attorney</category><category>business</category><category>environmental portrait</category><category>head-shot</category><category>headshot</category><category>lawyer</category><category>marketing</category><category>people photography</category><category>portrait</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Thu, 01 Dec 2011 16:09:09 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/12/1/just-some-photos-that-i-like.html</link><guid isPermaLink="false">230690:2292218:13931612</guid><description><![CDATA[<p>When I blog, I like to write something that readers will hopefully find interesting and will compel them to read and look further. It's often a challenge, as I don't feel like a writer. As photographers, we communicate with our images. Ultimately, that's what I hope will draw people in. I know it won't be my words, but I hope that my words will serve as an introduction to my work.<br /><br />This time, I only have my images. As a commercial photographer, I spend a lot of time creating photographs that are not strictly artistic. While artistry is involved, their role in life is largely utilitarian. That is true in a business sense, but the discerning client knows that they are more than that; they serve to evoke an emotion in the viewer. The esthetic value may be subtle, but it's there. That's why I can only shake my head in disbelief when I see a cell phone self portrait or a red cup party shot used as a business headshot. People! Potential clients are judging you, possibly unfairly, based on an initial impression. You've heard this rant before, I'm sure.<br /><br />So since I have nothing to say today ;-), I thought I would post some business portraits and some actor headshots that I did recently and that I really like.<br /><br />The first bunch of shots are of a young actress and dancer.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-12-isabella-kursh-104.jpg?__SQUARESPACE_CACHEVERSION=1322755825349" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-12-isabella-kursh-440.jpg?__SQUARESPACE_CACHEVERSION=1322755845717" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-12-isabella-kursh-379.jpg?__SQUARESPACE_CACHEVERSION=1322755864661" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-12-isabella-kursh-194.jpg?__SQUARESPACE_CACHEVERSION=1322755931428" alt="" /></span></span></p>
<p>&nbsp;</p>
<p>I also had the privilege of photographing this Boston attorney, who also does legal commentary on a TV network. She really understands the value of good images!</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-05-rachel-self-255.jpg?__SQUARESPACE_CACHEVERSION=1322756137280" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-10-05-rachel-self-471.jpg?__SQUARESPACE_CACHEVERSION=1322756168737" alt="" /></span></span></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13931612.xml</wfw:commentRss></item><item><title>Happenings and Small Things</title><category>Art</category><category>City of Lights</category><category>Cultural Organization of Lowell</category><category>Lowell</category><category>Massachusetts</category><category>art</category><category>festivals</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Mon, 28 Nov 2011 22:05:33 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/11/28/happenings-and-small-things.html</link><guid isPermaLink="false">230690:2292218:13895215</guid><description><![CDATA[<p>While walking around the Lowell City of Lights festival this past weekend I was on the hunt for interesting stuff and small moments. We all see different things and see them in our own way. Here are some of mine.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-019.jpg?__SQUARESPACE_CACHEVERSION=1322518268284" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-529.jpg?__SQUARESPACE_CACHEVERSION=1322518285077" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-636.jpg?__SQUARESPACE_CACHEVERSION=1322518375172" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">The COOL bus - The Cultural Organization of Lowell</span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-121.jpg?__SQUARESPACE_CACHEVERSION=1322518399520" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-231.jpg?__SQUARESPACE_CACHEVERSION=1322518419726" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-085.jpg?__SQUARESPACE_CACHEVERSION=1322518442515" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-073.jpg?__SQUARESPACE_CACHEVERSION=1322518461025" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-331.jpg?__SQUARESPACE_CACHEVERSION=1322518486849" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-26-city-of-lights-673.jpg?__SQUARESPACE_CACHEVERSION=1322518512624" alt="" /></span><span class="thumbnail-caption" style="width: 435px;">Here Comes the Parade</span></span></p>
<p>SEPKQG43M6GV</p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13895215.xml</wfw:commentRss></item><item><title>A Western Avenue Studios Neighbor</title><category>Art</category><category>Lowell</category><category>Massachusetts</category><category>People</category><category>Western Avenue Studios</category><category>art</category><category>artist</category><category>environmental portrait</category><category>people photography</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Mon, 21 Nov 2011 21:51:37 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/11/21/a-western-avenue-studios-neighbor.html</link><guid isPermaLink="false">230690:2292218:13815825</guid><description><![CDATA[<p>Liz, one of many excellent artists at Western Avenue Studios, in Lowell, who works in ceramics asked me to photograph some of her work. I have been so impressed with the colors in which she works, and with the enthusiasm and energy with which she makes her creations, so I asked her if she would pose for a portrait session. As I always like to do, I photographed her in her environment, on location in her studio, surrounded by her work.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-16-liz-rodriguez-151.jpg?__SQUARESPACE_CACHEVERSION=1321912548172" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-16-liz-rodriguez-084.jpg?__SQUARESPACE_CACHEVERSION=1321912567769" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-16-liz-rodriguez-114.jpg?__SQUARESPACE_CACHEVERSION=1321912578501" alt="" /></span></span></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13815825.xml</wfw:commentRss></item><item><title>Mike O’Malley - Merrimack Valley Magazine Cover Story</title><category>Boston</category><category>People</category><category>environmental portrait</category><category>magazine</category><category>television</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Mon, 14 Nov 2011 17:19:25 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/11/14/mike-omalley-merrimack-valley-magazine-cover-story.html</link><guid isPermaLink="false">230690:2292218:13719152</guid><description><![CDATA[<p>Buy this magazine!</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://www.mvmag.net/" target="_blank"><img src="http://www.adrienbisson.com/storage/MVM_Cover_NovDec11.jpg?__SQUARESPACE_CACHEVERSION=1321291355822" alt="" /></a></span><span class="thumbnail-caption" style="width: 414px;">Mike O'Malley - Merrimack Valley Magazine Cover</span></span></p>
<p>This month's Merrimack Valley Magazine cover story features <a class="offsite-link-inline" title="Glee" href="http://www.fox.com/glee/" target="_blank">Glee </a>star Mike O&rsquo;Malley, written by Beth Daigle and photographs by this blogger! Mike plays Burt Hummel on the hit TV series. We shot the cover photo, along with an inside spread and several others, at the Ritz Carlton in Boston, when Mike was in town working on a new film.<br /><br />Seriously, <span style="text-decoration: underline;">buy this magazine</span> to see this article, as well as several others on which I worked, including Chris Markuns' <em>Coffee Talk</em> interview with <a class="offsite-link-inline" href="http://www.merrimackrep.org/" target="_blank">Merrimack Repertory Theatre&rsquo;s Executive Director Steven Leon</a>, a story about Christmas decorating, and a piece about the great work of the <a class="offsite-link-inline" href="http://www.angelflightne.org/" target="_blank">Angel Flight Northeast</a>.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-09-28-mike-omalley-448.jpg?__SQUARESPACE_CACHEVERSION=1321295218273" alt="" /></span><span class="thumbnail-caption" style="width: 558px;">Mike O'Malley</span></span></p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13719152.xml</wfw:commentRss></item><item><title>Product review: Vagabond Mini™ Lithium from Paul C. Buff, Inc.</title><category>Product Review</category><category>gear</category><category>product review</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Wed, 09 Nov 2011 15:46:56 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/11/9/product-review-vagabond-mini-lithium-from-paul-c-buff-inc.html</link><guid isPermaLink="false">230690:2292218:13655344</guid><description><![CDATA[<p>If you're a regular reader of this blog, you know that I don't talk much about photographic gear. Camera gear especially holds little fascination for me, although I certainly can appreciate a well made camera or lens. I generally feel that while expensive cameras and lenses do produce superior images, pro-sumer gear can create excellent results, often better than prior generations of pro gear could, albeit with more effort and less convenience.<br /><br />That being said, I recently decided to buy a piece of lighting equipment about which the photographic community is buzzing, so I thought it was worth mentioning. I am referring to the new <a class="offsite-link-inline" href="http://www.paulcbuff.com/vm120.php" target="_blank">Vagabond Mini&trade; Lithium from Paul C. Buff, Inc.</a>&nbsp; So far, and I have only used it on a small product photography shoot in the studio to get used to it, it is an amazing new toy. It charged in a couple of hours, as advertized, and was ready to fire two AlienBees&trade; B1600 flashes. It is light and small.</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://www.paulcbuff.com/vm120.php" target="_blank"><img src="http://www.adrienbisson.com/storage/2011-11-08-cavanaugh-026.jpg?__SQUARESPACE_CACHEVERSION=1320853692750" alt="" /></a></span><span class="thumbnail-caption" style="width: 650px;">Vagabond Mini&trade; Lithium (120VAC model)</span></span>It has two 120 volt outlets, but the documentation states that it will drive up to 4 flashes using a grounded power strip. The charger plugs into the front panel as well and there is a USB socket. Although I have not tried it, I have heard from other reviewers that the USB charging results are not great. I have the 120 volt version but they sell a 230 version for sales outside of the US as well.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-08-cavanaugh-028.jpg?__SQUARESPACE_CACHEVERSION=1320853747441" alt="" /></span></span></p>
<p>I plan to use it on location this week and will update this post with anything significant that I learn from that shoot. So far though, I am impressed; it's light, small, charges quite quickly and just works! And it lets you take your mono lights anywhere! At $240US, it's kind of a steal.<br /><br />While there seem to be no show stoppers, here are a few things that I don't care for. <br /><br />I am not wild about the strap. It's there and it works, but like most straps, it's in the way most of the time. I hate camera straps as well, so maybe I am not a good source for this aspect. I think the strap should be an option, but I wish that the pack had a rigid handle on the top, which I would use in place of the strap. It also has a small battery release tab on the bottom (or is it the back?), that prevents it from standing, so it really needs to be hung from a stand or laid down which make the controls difficult to see. Again, not a show stopper!</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-08-cavanaugh-033.jpg?__SQUARESPACE_CACHEVERSION=1320853784099" alt="" /></span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-08-cavanaugh-036.jpg?__SQUARESPACE_CACHEVERSION=1320853799931" alt="" /></span></span></p>
<p>The big complaint that I have seen, and with which I agree, concerns the stand clamp. The documentation here is brief, so you are on your own to figure out how it works, which it barely seems to do. Hopefully, Buff will work on a modification in future versions. One good thing about it is that it attaches to the body of the pack with a standard tripod threading. This gives you several options in lieu of using this supplied clamp. Here is one method that I came up with using a SuperClamp.</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-11-08-cavanaugh-039.jpg?__SQUARESPACE_CACHEVERSION=1320853855684" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">Vagabond Mini&trade; Lithium attached to a light stand with a Super Clamp</span></span>If you have one of these Vagabond Mini&trade; Lithiums and have any thoughts or corrections, please post your comments here.<br /><br /></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13655344.xml</wfw:commentRss></item><item><title>Living Independently</title><category>Boston</category><category>Massachusetts</category><category>People</category><category>editorial portrait</category><category>magazine</category><category>people photography</category><dc:creator>Adrien Bisson</dc:creator><pubDate>Mon, 07 Nov 2011 18:36:42 +0000</pubDate><link>http://www.adrienbisson.com/blog/2011/11/7/living-independently.html</link><guid isPermaLink="false">230690:2292218:13628734</guid><description><![CDATA[<p>On September 19th of this year, I was to photograph someone at an assisted living facility in Chelsea, Massachusetts, for CE Pro Magazine. Unfortunately, the morning prior to the shoot I threw out my back. I would use the word "strained", but if you've ever experienced the same pain, it really is a feeling that resembles a jab or jolt of some kind, is really quite painful, and &ldquo;strained&rdquo; just doesn't describe it. This is a sensation that I have experienced several times since I was in my 20s, riding a bus on tour with a band. But that is another story for another day!<br /><br />This day, I was able to engage one of my excellent assistants, Melissa Desjardins, who has her own <a class="offsite-link-inline" href="http://www.desjarphoto.com/" target="_blank">studio</a> in Nashua. I was so happy to have been able to get her to come along on such short notice because of the nature of this particular shoot. This was at the Leonard Florence Center for Living in Chelsea, where a number of people with MS and Lou Gehrig's disease live. My temporary physical pain was trivial by comparison and I was intent on having it remain invisible. Thanks to Melissa, that mission was accomplished.<br /><br />I am mentioning this because it made our visit so much more real to me. When you feel lousy, even though everything aside from some single annoyance may be going well, it's enlightening to visit with individuals who struggle with far more difficult issues and yet have the most positive of attitudes.<br /><br />That brings me to my subject. I was asked to photograph Steve Saling at the Leonard Florence Center. Steve is a landscape architect and was a Project Manager at Copley Wolff Design Group, among other firms before his diagnosis. Incredibly positive and friendly, Steve welcomed us into his residence at the center to pose for photos and to give us a crash course on living independently using a computer that he controls only with head movement. Selecting from a cascade of letters and words on a laptop mounted to his chair, Steve speaks in full sentences using digital voice software. He controls doors, lights, electronic devices and even the elevator using special software, again with head movement.</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://www.cepro.com/article/home_automation_brings_dignity_independence_to_residents_with_als/" target="_blank"><img src="http://www.adrienbisson.com/storage/C1110 ALS Home-1.jpg?__SQUARESPACE_CACHEVERSION=1320691194244" alt="" /></a></span><span class="thumbnail-caption" style="width: 650px;">CE Pro Magazine</span></span></p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/C1110 ALS Home-2.jpg?__SQUARESPACE_CACHEVERSION=1320691243771" alt="" /></span></span> Please <a class="offsite-link-inline" href="http://www.cepro.com/article/home_automation_brings_dignity_independence_to_residents_with_als/">read the article</a> for details on the technology that makes all of this possible. An  online version is <a class="offsite-link-inline" href="http://www.cepro.com/article/home_automation_brings_dignity_independence_to_residents_with_als/" target="_blank">here</a>. (<span style="text-decoration: underline;">Only one of my photos appears in the online article and is credited to me.</span> It is the same shot as seen in the spread above.) <br /> <br /> I think both Melissa and I walked away from the center that day with a  memorable experience to appreciate on that beautiful September morning.</p>
<p><span class="full-image-inline ssNonEditable"><span><img src="http://www.adrienbisson.com/storage/2011-09-19-steve-saling-212.jpg?__SQUARESPACE_CACHEVERSION=1320691367119" alt="" /></span></span></p>]]></description><wfw:commentRss>http://www.adrienbisson.com/blog/rss-comments-entry-13628734.xml</wfw:commentRss></item></channel></rss>
