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Entries in headshot (6)

Friday
05Mar2010

Plan, plan and plan some more

The great Boston photographer, Louis Fabian Bachrach Jr., known as Fabian Bachrach, passed away last week at the age of 92. (http://www.nytimes.com/2010/03/02/arts/design/02bachrach.html)

He came from a family of photographers, most of whom worked and still work in the family business. His grandfather, who started the studio, photographed Abraham Lincoln at Gettysburg!

According to the NY Times article, when John F. Kennedy was a US senator, he sat for a portrait with Bachrach. The results were what Bachrach considered unusable, which, in the words of his son, "ate on my father for months and months and months". Any commercial photographer can relate, although most not at the same level as that of photographing a US senator. But when Kennedy became president, Bachrach convinced his office to let Kennedy sit for another portrait. This time, Bachrach was kept waiting for 8 hours only to be told that the session had been cancelled. Pleading to be allowed to go ahead with the session, he was given 10 minutes, "from start to finish", as the Times article says. This 10 minute session resulted in the president's official portrait, which is arguably the most well known portrait of Kennedy. See the NY Times article and the gallery of Bachrach's work to see the photo.

There are so many lessons here, for people photographers especially. When you screw up, the first thing is to admit it to yourself and to your client, and then to get over it. Easier said than done. But you can! I have a quote from Joe McNally on my wall. You can find it in his blog post, (http://www.joemcnally.com/blog/2008/09/10/cant-get-no-respect), look for the paragraphs that begin with "I’ve shot a lot more bad pictures than I’ll ever shoot good ones". That I read his quote periodically is closely related to one of my blogs from last week in which I talked about being the photographer you want to become. Even that phrase is a quote from another great photographer, Craig Tanner. But when you doubt yourself, step aside! Try to step away from your own person and ego for a minute and ask, what would <a photographer that I admire> do in this situation? Obviously, that person could be anyone that you admire, not necessarily another photographer.

Another lesson that I took away from the Bachrach anecdote was how necessary it is to plan. Plan, plan and plan some more. Try to envision what the situation will be like, how you will feel and how you will act and react. You need to be reacting to the environment and to the things that could not have been anticipated. You should already have thought about all of the things that you knew about beforehand. Clients don't want to wait for you to have a happy accident. The art, creativity and imagination that you bring to a commercial job begins where your technical knowledge and experience leaves off.

Wednesday
03Mar2010

All right Mr. De Mille, I'm ready for my close-up

Last Saturday, Melissa, who was featured in a previous blog, kindly returned to help me create a stop-action video. The short, which I will post here on a future blog post, as well as on YouTube, will allow the viewer to observe a photo shoot of Melissa at my studio. Interspersed with the action will be the actual photos that I took as the "video" camera captured the action. This is not a video in the sense that you might think, but is shot with a still camera. That camera is on a tripod with a programmable shutter release causing it to fire every three seconds. It is also equipped with a PocketWizard transceiver that fires the strobes that I was also firing with the camera with which I was shooting. As you might imagine, this caused a few random failures due to shutters going off without adequate recycle time for the strobes, but that didn't happen as much as I had anticipated, and it was something that I was willing to live with.



Obviously, this technique is not my invention. It has been used quite a bit recently, most notably in the video called "Her Morning Elegance", by Oren Lavie (http://www.orenlavie.com), and is really just a technical variation on a normal video camera. But high-resolution still images captured with a photographer's existing equipment, as well as lighting by strobe makes it far more accessible to still photographers. On the other hand, like many things, it's a gimmick and as technology waits for no one, it's expiration date is probably not far off.

But Melissa is a great subject and was really patient as I attempted to keep all of the plates spinning in my studio to make this work. (For those who don't remember shows like Ed Sullivan, you might want to Google plate spinner. It was a simpler time...)  In fact, I went into this shoot not really anticipating that the shots that I was taking of Melissa would themselves be keepers because I was so consumed by the "film-making" part of the endeavor, but I was pleasantly surprised.

Monday
04Jan2010

Andrew - Playwright, journalist and general writer

As you might have guessed, I am working on a project to capture images of people that I meet around the Lowell and Merrimack Valley area of New England. I asked Andrew Wetmore if he would sit for me several months ago, but time has a tendency to slip away if you aren't attentive. We finally got to it during the recent holiday break at my studio. Andrew is a playwright, journalist, high-tech nerd (and I mean that in the best possible way - I was one myself ;-), and Canadian, in no particular order. As you will see, he has a very interesting and character filled face!

Monday
09Nov2009

Not just another corporate headshot

...It never really is. Who wants to just paint by the numbers? Every subject is unique and you need to approach every person and their shoot differently. You want to get a special look or gesture that seems to be the special thing about that person.

I recently worked with the excellent graphic designer, Geralyn Miller on one such project with Anthony, a finance guy. It was a lot of fun! Anthony is a great guy, and I think it comes across in the shots. We worked in the renovated 19th century mill building where Geralyn works, and Anthony was very patient as we dragged stuff from place to place looking for just the right atmosphere.

 

Geralyn took her own shots between holding light stands ;-) Got to love shooing on a staircase!

 

Thursday
20Aug2009

Keeping the Headshot Fresh

Like it or not, we all change. Change is a part of life. Change is good...right? Well, in any event, it also means that images of ourselves that we show to the world, which are meant to represent ourselves as we are today, need to be updated periodically. We've all seen the business headshot or talent headshot that was either shot in a style that looks dated now or that features the subject at their ideal age - however long ago that might have been. I don't exclude myself from this category! Recently, I had my son, who is a very talented photographer, photograph me for my web site, Facebook, Twitter, LinkedIn, etc. I feel that professional photos of ourselves are an essential part of building an online personality. You can see my new images by checking out any of these sites. Please do! :-) The buttons are to your right.

Last week, one of my favorite Boston area actresses, Kristin Smith, asked me to do just such an update of her acting headshots. She wanted an outdoor setting, so we dodged the raindrops and braved the unbelievable black fly onslaught to get some great stuff. I haven't retouched these headshots, but clearly Kristin needs no improvement!



Now when I say "professional", please don't equate that with "formal", or "school-picture-day" style. While a certain style is often dictated by the usage that you foresee for a portrait, in many contexts, you and your photographer should feel free... be creative! These photos of Kristin are actor headshots, and therefore do need to have a certain look. But they can always have beautiful backgrounds, colors and lighting. Seamless background paper is easy and fairly fool-proof, but there are certainly more interesting ways to handle headshots. When you have your corporate or acting headshot done, definitely get the prerequisite style of shot done. But also try to do several different looks, backgrounds, outfits, and if possible, venues.

Thursday
09Jul2009

A Break in the Weather

Around here, this "summer", you have to be ready to take advantage of the breaks in the weather when they happen. I had an actor's headshot session scheduled for last Monday, which, as it turned out, was the only good day this week. Not funny, really. It's July 9th as I type this and I think we hit 68F for a high today, and when I looked at the thermometer at 8:30 this morning, it was 60! At least it wasn't raining today, even though we haven't seen the sun to speak of since Monday.

Anyway... Monday... Justin Carrasco, an actor who has recently returned to the Greater Boston area from Florida was interested in having new headshots done outside. There are several locations in downtown Lowell, Massachusetts that I like to shoot in because of the colors, textures and the shade.

I'm sure if you are familiar with downtown Lowell, you will recognise at least some of these locations.

But we also did some nice work in the afternoon sun, balancing things nicely with small strobes. Justin didn't choose this next one, but I really like the look of the scene,  and his expression.